Seez
by Herva
Cork Leg Nelson
Cork Leg Nelson
I always hate picking favorites when it comes to music. I went with Etop because it happens to be playing while I write this. I've listened to this album a few times now. I absolutely love it. Dreemee and Ruff. Fantastic. For fans of Schematic, SKAM, and edibles.
Favorite track: Etop.
brhfl
ate21
Psplat
wram
JJ Weber
Nicholas Langley
Alphonse. Daudet.
thedogisss
█▓▒░
Lexciya
Andrew Aaron
nero san
Kindohm
Tekfox
Carlo Pearson
Guy Alexander Brewer
theslowestmanalive
Renick Bell
Countersunk
Electrodecks
alf brooks
Steve Meyer
U-koh
セバスチャン大倉a.k.a.DJ享受
Les Hall
ignatius
Leo Hopfinger
jack13_89
tigerchamp01
Kit Christopher
fatribz-fan
amsedivy
mesareflexions
Patrick Ryan Driscoll
᧞ᧉᖇᙀᘚᧉᖇ
Diego Favrin
certain
€^£^¥^ß
yangyangsong
Amy Pickett
David Taylor
jean_marc
Tjech
Aeyna
danielhood
Animal Spirits
Joseph Hughes
twistedkidnys
steaubreid
noiserpuss
faxie
vetaa_rom
BW
catalina
Arno van der Lee
Alex Currie
shinji yamazaki
bxfq
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Digital Album
Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card -
Record/Vinyl + Digital AlbumIncludes unlimited streaming of Seez via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 5 daysPurchasable with gift card
£21.99 GBP or more
You own this
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1. |
Xid
03:41
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2. |
Anm
04:23
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3. |
Ruh
04:24
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4. |
Obeye
03:36
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5. |
Maki3
05:44
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6. |
Etop
05:02
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7. |
Imperat
04:45
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8. |
Lu
03:19
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about
Herva started to work on 'Seez' right after the release of his last Planet Mu album 'Hyper Flux' back in 2017. He was experimenting with home-made hardware and after the album release wanted to raise the bar, challenging himself to build a point-to-point mixer from scratch. This task took almost a year of intense soldering and forced him to scrap music production. Eventually all this hard work grew into making studio hardware properly and he co-founded a new company making mixers and compressors that work with Eurorack, called Audio Gear Obsession.
On 'Seez' Herva moves away completely from the sample-based music he's most known for and into programming and computational production, which he mixes and compresses with his newly-built hardware tools to give them the life and feeling he requires. There's also an element of randomness in 'Seez' as the music is generative, defined with numbers and ratios from his own software, tuned by ear rather than to set scales, with unexpected outcomes.
To make the record, he spent more time digging between the different iterations of each track than coding the programs that generated them. He says "How I make music is kind of weird for most producers, but I like it, and I plan to dig further. You can think of 'Seez' as the alpha version of what I and my system are able to do."
The new music still retains Herva's laid back airy feel. Each track is like a small ecosystem of chiming tones, wafting drones and skittering rhythms, hinting at formal patterns and melodies but developing on its own abstract terms. It feels as if it's the audio equivalent of watching sped-up recordings of a camera capturing different combinations of plants growing, a pleasant and curious experience to let yourself enjoy.
On 'Seez' Herva moves away completely from the sample-based music he's most known for and into programming and computational production, which he mixes and compresses with his newly-built hardware tools to give them the life and feeling he requires. There's also an element of randomness in 'Seez' as the music is generative, defined with numbers and ratios from his own software, tuned by ear rather than to set scales, with unexpected outcomes.
To make the record, he spent more time digging between the different iterations of each track than coding the programs that generated them. He says "How I make music is kind of weird for most producers, but I like it, and I plan to dig further. You can think of 'Seez' as the alpha version of what I and my system are able to do."
The new music still retains Herva's laid back airy feel. Each track is like a small ecosystem of chiming tones, wafting drones and skittering rhythms, hinting at formal patterns and melodies but developing on its own abstract terms. It feels as if it's the audio equivalent of watching sped-up recordings of a camera capturing different combinations of plants growing, a pleasant and curious experience to let yourself enjoy.
credits
released September 16, 2022
license
all rights reserved
tags
about
Herva Italy
the ɿɘɘᴎiǫᴎɘ
discography
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Sep 2022 -
May 2017 -
Feb 2017 -
Nov 2015 -
Mar 2015